BRAHMS SCHERZO FAE PDF

These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself. In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary. Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing.

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These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless, we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual players who first performed these compositions, including Brahms himself.

In addition to the musical text these editions offer an informative Introduction laying out the genesis, publication history and reception of the works. At the same time there is a complete list of the sources, an explanation of the editorial procedures and a Critical Commentary.

Also, each volume contains a detailed discussion of specific performing practice issues raised by individual works. Furthermore musicians will find valuable information concerning vibrato, portamento and bowing. The violin and viola sonata editions come not only with an Urtext part freed from all editorial emendations, but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues.

A similar approach has been used for the violoncello sonatas, drawing on performance markings by Robert Hausmann for whom Brahms wrote the Sonata in F major , Hugo Becker, with whom Brahms performed it, and Julius Klengel who was also close to his circle. In these versions Brahms did not simply adjust the solo part for the violin, he made many alterations to the piano part, casting thought-provoking light on the clarinet and viola versions.

Together these publications form a challenging and helpful resource.

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BRAHMS SCHERZO FAE PDF

Dietrich composed the first movement, Schumann the scberzo and Brahms the third. Bfahms the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general. By using this site, you agree to the Terms of Use and Privacy Policy. Javascript is required for this feature. On the last day of SeptemberBrahms met the Schumanns for the first time.

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